Clear answers for Tanzanian and African artists collecting U.S. royalties. Built like a financial service process, not an artist blog.
No. Distribution mainly collects master recording income from streaming platforms. U.S. publishing royalties use a different pipeline and require registrations, consistent metadata, and publishing administration to be collected accurately.
Common causes: incomplete registrations, incorrect splits, inconsistent names, missing publisher-side administration, and mismatched metadata across systems. Royalties are paid only when systems can match your work and ownership accurately.
It depends on reporting cycles and how fast third-party systems process updates. The goal is long-term accurate collection, not quick hacks.
It means administering the publishing side of income by ensuring works are properly registered, maintained, and matched so U.S. collection systems can pay publisher-side royalties correctly.
No. This is administration only. You retain ownership. We help build and maintain the infrastructure needed to collect accurately.
We focus on publisher-side administration. If you are not registered on the writer side, we can assist with writer compliance support as a separate one-time setup service.
It’s keeping your song data consistent across your distributor, registrations, and credit systems: exact titles, writers, splits, identifiers, and name spelling. Small inconsistencies can cause unmatched royalties.
A list of your released works, ISRCs (if available), your distributor details, and any royalty statements or screenshots. Upload is optional but helps speed up review.
No. We are not a law firm. We provide consulting and royalty infrastructure setup and administration support services.
Start with the Apply form. We review your submission and respond with the right path forward.